i was very familiar with her distinctive voice but could find it. Graham, its so funny that we start out buying all these mics and doing all this shopping only to realize down the road that once we get familiar with our gear and our work, we can make radio ready great records using 57s, proper mic placement, and a good pre. A RELIABLE WORKHORSE ON THE STAGE AND IN THE STUDIO. I know Bon Iver did. I was surprised to say the least. Straight to tape, I think Sennheiser 421s sound better on toms, but they cost almost 4x as much, and with a little EQ, 57s sound pretty awesome. It’s a super affordable ($99 new), super popular dynmaic mic. that’s a great source of information about my question. =). Sure you lose some of the shine and clarity of a condensor, but you gain a solid natural recording that will be distortion free. Have you ever compared an SM58 with unmounted round windscreen with an SM57? The trick is to navigate the sea of advertising and find the best bang for your buck. Discover the 6 Steps for Creating a Radio-Worthy Song From Scratch. so true, so true, so true! Comparing the frequency response of the two mics I don’t see any difference. I was fortunate enough to be able to A/B floor models of each of them in-store, and my (admittedly somewhat n00bish) ears could not tell a difference. not a twin but a good mic by itself for the price. Last but not least let’s not forget how great it is for harmonica playing, both cupped and on a stand. It is “The Swiss Army Knife” of recording in my opinion: always handy and you never know when your going to need it! I don’t even believe that gear is the solution to your recording or mixing woes. Hi I ran in to your site researching the sm57. And lest you think the 57 is only good on snare, if you pick up a few more of these bad boys you can use them as tom mics. I personally like them ok on guitar cabs if the sound is too aggressive with a regular 57, but haven’t found them as cool on snare drums. Use of this website signifies your agreement to our Terms of Use. If anybidt by chance stumble upon this thread, what you are looking for is the focusrite saffire 6. FEATURES Frequency response tailored for drums, guitars, and vocals Uniform cardioid pickup pattern isolates the main sound source while reducing background noise Pneumatic shock-mount system cuts down handling noise Extremely durable under the heaviest use They are NOT exactly the same. Heck, I don’t even believe that gear is the solution to your recording or mixing woes. One of the things that define the Shure SM57 as the quintessential workhorse microphone is its signature frequency response and presence boost. Two seem typical and one might surprise you. If it’s two bright, slide it over away from the center of the cone or angle it 45 degrees to the grill. Plus, if you like soldering, the SM57 is a great mic to “mod” But gear is what we use to capture and mix audio and some if is necessary. Some vocalists have such a powerful voice that easily overpower your condensor mics. The i5 was about $30 cheaper at the time – it was on sale – though they generally run pretty close in price. You are right, The différence is due for a big part to the anti pop on the 58 (the sphere). My setup kicks serious ass, and I think you would love it so now I just need basic gear for recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. I’m a huge Soundgarden fan and I know for quite some time lead singer Chris Cornell would use SM57s both on stage and in the studio in order to contain his monstrous voice. A highly effective, built-in, spherical filter minimizes wind and breath “pop” noise. It’s almost impossible to not get a great guitar tone with this mic. I once heard from a dependable source that the microphone capsules of the SM57 and of the SM58 would be identical and that the slight difference in sound would just be caused by the round windscreen of the SM58, which contains a pop filter, which the SM57 does not have. In general, you'll be able to use your SM57 on anything. And it’s gard to know what inteface could drive this mic and which won’t. Designed by Elegant Themes | Powered by WordPress. Since I’m using it for micing guitars at home only in a safe environment, there is only a very little chance of damaging the mic. One thing worth mentioning is that getting rid of the transformer drops the output pretty significantly, so you’ll need more gain from your preamp. Your email address will not be published. A producer once mentioned that Chris Cornell used dynamics due to his powerful vocals. i have been using the sm57 on guitars forever, but one day many years ago, i was record a demo for kim karns (“betty davis eyes” from the 80’s)and she was the singer. This natural presence boost brings out clarity in vocals, snap in snare drums, and bite in guitar amps. I used a 57 to record lead vocals on one of the songs on my album. ROCK! I can answer my own question now. i must concur. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. Oh and I mustn’t forget this magic solid wood top, bottom and sides 65 year old parlor guitar I found for 100$!!! Definitely extends the top and bottom, and doesn’t sound nearly as midrangey and “57-ish”. So you can turn it up without distortion drowning out the show. The problem with just unscrewing the ball from a 58 is that the capsule is not protected like a 57 is, so you take a chance of damaging the mic if you are not really careful. Using an SM57 for vocals is not that uncommon considering the similarity to the SM58, which is intended to be used for this purpose. Agreed that it’s an awesome mic… I remember seeing a few threads and maybe an article where people had recorded entire songs with 57s (more for demonstration purposes I think), and they sounded really good. I love the sound quality and versatility of this mic, it’s obviously great for micing amps and what I’ve heard from recordings of acoustic guitar it can really capture the rhytmical bass of Robert Johnson delta style playing along with the higher pitched picking (especially if you place it close to guitar). Perfect condition! Shure SM57 Cardioid Dynamic Microphone The SM-57 is a unidirectional (“cardioid”) dynamic mic that has been used in some respect on 75% of the recordings in your collection — from snare drum to vocals to guitar cabs to, well, everything. All the rest is the same. sm57 Cardioid dynamic instrument microphone offers clean reproduction of amplified and acoustic instruments. As a dynamic mic it can take the loud SPLs of the amp without overloading. You cant really go wrong with them! They did AKG 414’s as overheads, then a 57 on the snare, kick (which surprisingly sounded awesome! A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcementand recording.

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