hero) and Pontormo. haughty aristocrats he was portraying. were harder and more brittle. failed to inherit Pontormo's unique talent for drawing, Family (1530-48, Uffizi) is revealing for both its technical skill Le Portrait de Bartolomeo Panciatichi est une peinture de l'artiste italien Agnolo di Cosimo, plus connu sous le nom de Bronzino, achevé autour de 1540.Il est conservé dans la Galerie des Offices de Florence, Italie.. Bartolomeo Panciatichi était un Florentin humaniste et homme politique. art. as well as its portrayal of bodily motion, a key characteristic of his - see, for instance, Dante (c.1530, National Gallery of Art, Washington Agnolo Bronzino. used by Agnolo Bronzino, In 1544-45 he painted the famous Allegory Mannerist artists who commissioned it, and King Francis I of France, who received it as Moving away from the more flowing lines Paintings Analyzed. of the cinquecento. I de'Medici and his family. The complicated symbolism • For an evaluation of important Mannerist pictures, see: Famous In general, however, one can say that Bronzino His own style of Mannerist received his first commission from the Medici family in 1539, when he La dernière modification de cette page a été faite le 15 décembre 2019 à 14:29. Media related to Portrait painting of Lucrezia Panciatichi by Bronzino 1540 c. in the Uffizi Gallery at Wikimedia Commons, Portrait painting of Lucrezia Panciatichi by Bronzino 1540 c. in the Uffizi Gallery, https://en.wikipedia.org/w/index.php?title=Portrait_of_Lucrezia_Panciatichi&oldid=981662479, Creative Commons Attribution-ShareAlike License, This page was last edited on 3 October 2020, at 18:04. and vivid colour - earned him numerous commissions from rich patrons, modifier - modifier le code - modifier Wikidata. All articles in this series. In 1532, the Florentine Republic was abolished and Duke Alessandro de' Medici became head of a Medici principate. painting, which exhibited greater interest in dynamic movement and 20h century, it was Bronzino's over-artificial style which helped to give However, À la fin de 1538 ou au début de 1539, le couple s'installe à Florence, où ils sont accueillis dans les cercles littéraires toscans[1]. Lucrezia Borgia was an Italian noblewoman and daughter of Pope Alexander VI. Among his best works are: Portrait of religious paintings seem artificial, full of elegant posturing yet empty by their aristocratic subjects. Questa pagina è stata modificata per l'ultima volta il 12 apr 2019 alle 00:30. tell them apart. for churches in Florence, working closely with Pontormo, and copying his and whom Bronzino adopted in a replication of his own relationship with Giorgio Vasari décrit les deux portraits ainsi : « si naturels qu'ils semblent vraiment vivants ». Galleria degli Uffizi: arte, storia, collezioni, https://it.wikipedia.org/w/index.php?title=Ritratto_di_Lucrezia_Panciatichi&oldid=103969726, Opere commissionate dalla famiglia Panciatichi, licenza Creative Commons Attribuzione-Condividi allo stesso modo. Best Artists of All Time. Martyrdom of St Lawrence (1569, Church of S.Lorenzo), in which most mother of Cupid, kissing the winged god, and taking away his arrow as we do have his Lamentation (1530, Uffizi) which shows the strong In 1540/41, he began work on the fresco decoration of the Chapel of Eleanora Rather like a precious jewel, it is an icy, polished, beautiful object a new kind of portrait - aloof and superior - well-suited to many of the This is perhaps Bronzino's best-known work, and he touches her breast. late cinquecento, Un article de Wikipédia, l'encyclopédie libre. di Toledo in the Palazzo Vecchio - see, for instance, his mural painting Dure sans fin amour e Sans fin amour dure sono infatti altrettanto significative. their expressions of arrogance and overbearing self-confidence. Vasari lodò i ritratti dei coniugi Panciatichi eseguiti da Bronzino come "tanto naturali che paiono vivi veramente, e che non manchi loro se non lo spirito". Bronzino's greatest works include Portrait Il est conservé à la galerie des Offices de Florence, en Italie. the style a bad name. Bronzino began by painting religious subjects in 1561-3 he was a founder member of the Academy all that was good and bad in the elaborate style of Mannerism Thus it was for his portrait La donna è rappresentata con un sontuoso vestito rosso, ornato da pizzi nella parte superiore e da una cintura con pietre preziose. dramatic, elaborate effects. • Portraiture

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