It was a celebrated episode in Stokowski’s 1941 collaboration with Walt Disney on the animated film, Fantasia, and it was the opening work on his final concerts as conductor of the Houston Symphony Nov. 7-8, 1960. The Newburyport Chamber Music Festival fosters an interactive partnership between residents and visiting artists by engaging the community in the process of creating and presenting chamber music in Newburyport’s unique architectural spaces. - Program Note from Program Notes for Band Bach’s most popular organ work was supposedly compose… Strauss’s lengthy score is awesome, highly complex and nobly brilliant, but like many of his later works, its themes lack the popular appeal of his youthful tone poems. Let us know if you would like a print copy of our summer brochure sent to your home. Image. Texas Music Festival The University of Houston Moores School of Music 3333 Cullen Blvd., Room 120 Houston, TX 77204-4017 Phone: 713-743-3167 Fax: 713-743-3166. 28.5 x 44 cm. Instrumentation: four flutes (two doubling piccolo), two oboes, English horn, three clarinets, bass clarinet, basset horn, three bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, percussion, two harps, celesta, organ and strings. Bach, as one of the great virtuoso organists of his day, developed a fierce reputation as a mercenary “test driver” to take new instruments out for a spin and see where they needed some tweaking before the builder could be paid for his work. The Institute of Voice Studies: May 20 - June 5, 2020, Immanuel & Helen Olshan Texas Music Festival, Building Your Craft: From Studio to Stage, TMF 2020 Orchestral Institute Information, Cynthia Woods Mitchell Center for the Arts, Electronic & Information Resources Accessibility, Discrimination and Sexual Misconduct Reporting and Awareness. 3700 Cullen Blvd, Room E128Houston, TX 77204-4039713-743-3019 Contact Us. In his exhaustive biography of the celebrated conductor, Oliver Daniel quotes an elderly parishioner at St. James Church, Piccadilly,  who recalled being  entranced by Stokowski’s playing of the Bach Toccata and Fugue in D minor during his years as organist there from 1902-1905. Then add having to play melodies with both your hands and feet and an entire building as your resonating chamber and it seems quite impossible to perform anything let alone a massive work like this one. The four main thematic ideas are stated in the soft, mysterious Introduction. Pages. This is followed by an Adagio and ended by a fugue on a subject in 6/16 metre. Bach purists have often decried this and other Stokowski transcriptions for their lack of authenticity. Sometimes you need to play two completely different rhythms with each hand or have to track a melody from right to the left while simultaneously playing accompaniment in the other fingers. The Toccata in D major, BWV 912, opens with a brief preamble, followed by a fugal Allegro. The Toccata and Fugue in D Minor is one of the greatest of the masterpieces that Bach wrote for the organ. Mendelssohn performed it in a celebrated concert on August 6th 1840, almost exactly 176 years ago. The story of The Sorcerer’s Apprentice is an age-old tale that has gained new audiences with each re-telling. Toccata and Fugue in D Minor. A bass trumpet and two harps are included in the operatic version. The composition's third century took it from Bach's most often recorded organ piece to a composition with an unclear origin. Following the outstanding success of his early operas, Richard Strauss undertook the monumental task of writing the operatic score to librettist Hugo von Hofmannsthal’s complicated, symbol-laden mythical tale contrasting the plight of a lonely, infertile princess with that of a poor peasant woman overburdened with too many children. All rights reserved. The music rises to a series of inexorable climaxes, then stops short as the hapless apprentice tries to halt the broomstick by chopping it in half. It has been well-known for its starting notes and often associated with the sense of horror. None of the electronic instruments I could lay my hands on in 1996 was good enough to make a halfway convincing organ sound on its own, so I combined three of them: As with most Bach organ works, no autograph manuscript of BWV 565 survives. When two water-carrying broomsticks emerge, a more formidable climax begins to build. Johann Sebastian Bach was a German composer of the Baroque period. Several compositions by him survive, and he is also notable today for his copies of numerous keyboard works by Georg Böhm, Johann Pachelbel, Johann Heinrich Buttstett, Dieterich Buxtehude, and other important masters. One might object to the use of  two harps at certain points, but their broken-chord figuration simulates the effect one would hear during arpeggiated organ passages in the echoing nave of a church. Toccata and Fugue in D minor (arr. His son, Carl Philipp Emanuel Bach, also a famous composer, wrote: “He said in jest, ‘Above all I must know whether the organ has a good lung,’ and to establish this, he pulled out all the stops and played with as many registers as possible. The concerto is cast in the standard three-movement plan of the 18thand early 19th-century concertos: a sturdy sonata-allegro form dominated by an opening fanfare theme, followed by a moody slow movement, and an exuberant closing rondo. This practice apparently began about 1922, though no date has been fixed for the Toccata and Fugue transcription. Receive periodical emails about our Organization and Events. First published in 1833 through the efforts of Felix Mendelssohn, the piece quickly became popular, and is now one of the most famous works in the organ repertoire. The full orchestra is, of course, employed for the big full-organ passages of the work. Instrumentation: four flutes, three oboes, English horn, three clarinets, bass clarinet, three bassoons, contrabassoon, six horns, three trumpets, four trombones, tuba, timpani, celesta, two harps and strings. Description: Toccata and Fugue in D minor in its original form for Church organ but NOT piano. This often caused organ builders to go quite pale with shock”. “Toccata and Fugue in D Minor” is a piece for organs composed by Johann Sebastian Bach. The first publication was in 1833, forty-eight years after Bach’s death. In the operatic version, the nine daughters of Wotan ride their horses up a rocky cliff, hailing each other with their stentorian Valkyr salute as they gather, but in the orchestral version, Wagner absorbed the vocal parts into the orchestra, omitting all the texts and rearranging the music into a sustained symphonic excerpt. When he finished the Valkyries excerpt, the applause was so intense and sustained that he could not proceed immediately to the love-duet excerpt. Notated Music Image 8 of Toccata and fugue; in D minor About this Item. They also alternate in presenting larger sections of the work, thus helping to define its form in the same manner as an organist changes stops or shifts between keyboards at any given moment. The loudest sound is created when every rank of pipe is brought into play by activating all the buttons, literally “pulling out all the stops”). Dukas also won lasting fame with this brilliant descriptive orchestral piece, telling of a sorcerer’s apprentice who invokes the magic words that set a broomstick busy carrying buckets of water, but can’t remember the saying that stops the robot water carrier from flooding the whole house.

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