Copyright © 2020 - Jazz Guitar Online - All rights reserved - Privacy Policy. Yeah, I know what you mean. $4.99 month with no contract! I guess the difference is that bebop lines need the syncopated lines that have high notes and turning points on off-beats because that makes it come alive and add some small dynamic surprises for the listener. There is another accent on the 3& where the B can get an accent. By submitting, you agree to receive communications (emails & texts) from Modern Drummer. These 4 bars are an excerpt from his (really fantastic!) Click here to learn the blues in all 12 keys: Blues in All 12 Keys Feels good, sounds great. Billie's Bounce, Bass Clef chart C. Parker F 7 B 7 F 7 C-7 F 7 5 B 7 B 7 F 7 A-7 D 9 G-7 7 C 7 F 7 D 7 1.Created Date: 7/28/2016 9:32:56 PM Receive updates & special offers from Modern Drummer and our advertising partners. Now that you mention it, I haven't done one with this program (Sibelius) with changes in it. What the heck is happening to the guitar cases? Did you do it at real speed on the youtube video, or using something like the slowdowner or transcribe? 73.1 s. Position in Track. I sold my original ES-165 a few years back for something like $1400 or $1500, I think. The Sweep of the C major triad comes out on an F#. If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter: If you want to explore the concepts discussed in this lesson further with some exercises and examles you can check out this lesson in my WebStore: You can also download the PDF of my examples here: If you have any questions, comments or suggestions for topics or how I can make the lessons better then please let me know. Ont the C7 the G on the 1& is a high note which then gets an accent. As an example of somebody with good phrasing here is 4 bars from a George Benson solo. From here it skips up to a D and descends step-wise to Bb. Instrument. In the second line these notes are placed mostly on an off-beat and that makes it possible to give them an accent and add some more life to the line. It works well for jazz, fusion, blues, pretty much anything. Jazz Blues – 3 Easy Techniques That Make You Sound Better, Triplets Can Make Your Jazz Solo Sound Amazing, How To Make One Arpeggio Into 25 Great Jazz Licks, Easy Way To Make Your Jazz Chords Sound More Interesting, Why This Is The Most Important Scale Exercise In Jazz. The Problem is probably with the jazz phrasing. I start one thing and suddenly I'm distracted by something else before I ever get good at the 1st thing. These lessons will largely deal with the symbiotic relationship between playing what the mind hears versus what the hands and feet know. F7 B 7 B 7 B F7 Gm7 C7 F7 C7 F7 B 7 B F7 B 7 F7 Am7 D7 9 Gm7 C7 F7 D7 9 Gm7 C7 A o Billie's Bounce o 1 Now's The Time Charlie Parker Charlie Parker. With a decent computer and if you keep to effects that don't take up much processing power you should be able to monitor back from Reaper without noticeable latency. The first part is a sweep of a triad which does not contain any accents, mostly because this technique does not really allow you to add an accent. It just seems to eq it to a less 'in your face' sound and is quite pleasant. you mentioned that you transcribed from a saxaphone for guitar so that to get the idea if the saxophone is a B flat instrument and he is doing Billies Bounce in the key of F major the guitar and piano which are in C would play in the key of G major. I have a D'Angelico EX-DC. Thanks for that. EXACTLY! Recommended by The Wall Street Journal Opt out through the unsubscribe link in any marketing email. Leave a comment on the video or  send me an e-mail. Proper Records (P1281) Recording Date. When going straight into the PC I like the sound of my Big Sky reverb with the cab switch on. To show you some examples of lines that have melodies that you can add accents to I have written to II V I lines in C major. as. Another way to work on this is to listen and imitate examples of good phrasing, this can be copying records or learning to play transcriptions. Works like a charm and after 20yrs I’m still on my second tube of the stuff. The difference is where the target notes and the notes where the line changes direction are placed. Recommended by The Wall Street Journal At the same time you can reinforce this process with composing and exploring what lines you can come up with that has notes that you can give an accent. But that's true of semis in general. solo on Billies Bounce. $70 USA shipping included. Billie's Bounce Tab by Charlie Parker with free online tab player. Thanks for sharing your great recording techniques. Used, I bought this new about a year ago. Playing Melodically – Part 1: “Billie’s Bounce” Peter Erskine In this new series I hope to present my thoughts and pass along some experience and insights on playing jazz.

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